Road of sin band
“All this is done in readiness for the band’s soundcheck. It’s a slow process: a couple of hours of setting everything up, plugging it all in, making sure it’s working, line checking it (which is a technical term for making sure that everything is going to where it needs to be).” “Those Guitar Techs or Keyboard Techs would set the band’s backline up and the band’s Front of House Engineer and Monitor Engineer will set up all the microphones, make sure everything’s plugged into the consoles, front of house and monitors. Now at the club level, you would assume the stage, PA, and the lights are already in house so no one has to load lights and stuff in, so we’d probably load in the backline (which is the band’s equipment) at maybe one o’clock or two o’clock in the afternoon.” “Then the PA and lights and stage may have to be loaded in before. The band’s equipment will be loaded in at a certain time, depending on how big the gig is.” Let’s take the example of a club show, a 700 to 1,000 capacity venue. “A typical day on the road for a touring concert professional would depend a lot on what size of venue the band is playing in that evening, so everything from bars, clubs, theatres, arenas, to stadiums dictate the actual time you start. So, anybody who tours with a touring concert production could be called a Roadie but we tend to be called by our actual job on the road.” “But we don’t like to call ourselves Roadies we like ‘Event Technicians’ or ‘Production Technicians’ and broken down into job descriptions such as Guitar Tech, Lighting Engineer, Sound Engineer, Front of House, Monitors and all those kinds of things. Traditionally, in the public’s eyes, a Roadie is the guy on stage, the guy in the black t-shirt, long hair and sleeves.
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Andy Reynolds, touring professional and author of Roadie, Inc: How to Gain and Keep a Career in the Live Music Business says, “ Roadie is the generic term for anybody who works on a concert.